Tuesday, December 31, 2013

Jon Runsey's Top 10 & Honorable Mentions

John Runsey of the "Four Strong Winds" show on KVMR in Nevada City, CA offers both his Top 10 of 2013 and his Honorable Mentions:

Top 10 11

10.  Jaime Michaels, Unknown Blessings, fromdahart
10.  Spark and Whisper, Ghost Towns, Self
9.  Si Kahn, Bristol Bay, Strictly Country Records
8.  Mara Levine,Jewels and Harmony,Mara Levine
7.  Monocle Band, Monocle Band, Monocle Band
6,  Slaid Cleaves, Still Fighting The War, Music Road Records
5.  Spuyten Duyvil, Temptation, Spuyten Duyvil Music
4.  Passenger, All the Little Lights, Nettwerk
3.  John McCutcheon, 22 Days, Appalsongs
2.  Erik Balkey, Everything is Great, Hudson Harding Music
1.  Brother Sun, Some Part of the Truth, Brother Sun Music

Honorable Mention       
        
* Jed Marum, The South Wind, Boston Road Records

* Friction Farm, I read your book, Self

* Rita Hosking, Little Boat, Rita Hosking

* David Mallett, Greenin' Up, North Road Records

* Various Artists, Woody Guthrie at 100, Legacy Records

* Dave Van Ronk, Down in Washington Square: The Smithsonian Folkways Collection, Smithsonian Folkways Recordings

* Paul Simon, Over the Bridge of Time, Legacy Recordings

* Tom Rush, Celebrates 50 Years of Music, Appleseed

* Boxcar Lillies, Shugar Shack, Self

* James Keelaghan, History - The First 25 Years, Borealis

* Della Mae, This World Oft Can Be, Rounder

* Larry Diehl, Close to the Soul, Larry Diehl

* Mustard's Retreat, A Good Place to be, Self

Sunday, December 29, 2013

Saturday, December 28, 2013

John Platt's faves of 2013

John Platt/WFUV offers up his faves from 2013:
Favorite CDs of 2013

* *Sam Baker*, *Say Grace*
(Not a newcomer, but new to me this year, with an album of haunting songs)


* *Dawes*, *Stories Don’t End*
(The best songs Jackson Browne didn’t write this year)


* *Simone Dinnerstein & Tift Merritt*, *Night*
(Women from different worlds – classical pianist and singer-songwriter – meet for a creative collaboration)


* *Iron & Wine*, *Ghost on Ghost*
(Sam Beam embraces influences ranging from the Beach Boys to Charles Mingus)


* *The Jammin’ Divas*, *Across the Stony Ridges*
(Four women – from the U.S., Australia, Ireland, and Israel – backed by a
bassist from St. Louis, prove the power of cross-pollination)


* *The Levins*, *My Friend Hafez*
(A married musical couple creates inspiring songs from the words of a 14th
century Persian poet)


* *The Lone Bellow*, *The Lone Bellow*
(A Brooklyn-based trio with melodic hooks and soulful harmonies)


* Bobby McFerrin, *Spirityouall*
(Music's Renaissance man shows his spiritual side, while paying homage to his classically-trained father.)


* J*ean Rohe*, *Jean Rohe & the End of the World Show*
(A remarkable young woman from Brooklyn who’s absorbed music from around the world)


* *Various Artists*, *Sing Me the Songs: Celebrating the Works of Kate
McGarrigle*
(Stirring performances by Kate’s family and friends, drawn from concerts in
London, new York, and Montreal

More Listening Pleasure:
 

*Brother Sun*, *Some Part of the Truth*

*Mary Gauthier*, *Live at Blue Rock*

*The Henry Girls*, *The Henry Girls*

*Jason Isbell*, *Southeastern*

*Jack’s Waterfall*, *Everybody’s Music*

*James Maddock*, *Another Life*

*Tara O’Grady*, *A Celt in the Cotton Club*

*Over the Rhine*, *Meet Me at the Edge of the World*

*Amy Speace*, *How to Sleep in a Stormy Boat*

*Spuyten Duyvil*, *Temptation*, and too many others to mention…

Favorite Songs of 2013
(Alphabetical by artist)

*Dawes*, "From a Window Seat"


*Michael Franti* & Spearhead, "Life Is Better With You"


*Iron & Wine*, "The Desert Babbler"


*Lorde*, "Royals"
(Not for Sunday Breakfast, but who can resist it?)


*Moby*, "The Perfect Life"


*Willie Nile*, "American Ride"


*Over the Rhine*, "All Over Ohio"


*Jean Rohe & The End of the World*, "Umbrella"


*Amy Speace*, "The Sea & the Shore"
(A duet with John Fullbright)


*The Levins*, "Dropping Keys"


*The Lone Bellow*, "You Never Need Nobody"

Friday, December 27, 2013

Sara Elizabeth Campbell has passed

Benjamin Wermund details the life and the passing of Sara Elizabeth Campbell who is probably best known musically for "Geraldine and Ruthie May."

Below is video of Campbell performing.

Thursday, December 26, 2013

"Hard Times in Dublin Again" -- Paul Hourican

Paul Hourican sings of the declawed Celtic Tiger and the resulting human chaos.

"Christmas in Paradise" -- Mary Gauthier

Here's one more. First the lyrics:

Davey stole a Christmas tree from K-Mart last night
Red ribbons and silver bells, angels dressed in white
He tied, it to the bridge rail so passing cars could see
He danced a little dance up there, looked down and smiled at me

My bed is a lawn chair, cushions keep it soft
I sleep in the open air, under the Southern Cross
Next to the golf course by the Hyatt Hotel
Davey he is a friend of mine and we get along pretty well

Christmas in paradise under the Cow Key Bridge
Where the warm breeze blows so nice
And the landlord forgives

Snowbirds on the golf course wear Bermuda shorts and Polo shirts
Some play pretty good some play so bad it hurts
We pick up their golf balls that fly over the fence
We shine 'em up a little bit and sell 'em back for fifty cents

Christmas in paradise under the Cow Key Bridge
Where the warm breeze blows so nice
And the landlord forgives

I won't lie, we just get by but we'll be eating good tonight
Christmas dinner at 5 o'clock over at the Church of Life
They don't care who you are, they don't ask what you done
Come on down and bring a friend there's plenty for everyone

Christmas in paradise under the Cow Key Bridge
Where the warm breeze blows so nice
And the landlord forgives

The radio plays Christmas songs while we get high
And Davey shouts, Merry Christmas y'all
To the cars passing by
Davey shouts, Merry Christmas y'all
To the cars passing by

Tuesday, December 24, 2013

"American Noel" -- Dave Carter & Tracy Grammer

From the late Dave Carter and Tracy Grammer.

First the lyrics:

Three wise men
Riding hard through the cold
Lost on some big city street
With no place warm to go
They are looking for a manger
Or a sign in the lights
But they're a long way from Bethlehem tonight  


But they heard about a savior
And a preacher in the)park
Who will camp with the homeless
Where they shiver in the dark
He'll deliver salvation
To the weary and the cold

And he'll bring joy joy joy to the wandering sou

The cleaning lady sighs
As she closes up the gate
'Cause this job don't quite pay the bills
And she's always working late
But all in a moment
Comes a light from above
It's an angel speaking words of joy and love 


And he tells her of a savior
And a preacher in the park
Who will camp with the homeless
Under bridges in the dark
He'll deliver salvation
To the weary and the cold
And he'll bring )oy joy joy to the wandering soul  


Four in the morning
At the Tradewinds Motel
The register reads "all full up"
And the clerk thinks just as well
But out in the tool shed
'Round an old Coleman lamp
A little family makes its meager camp 

The Wise Men bring presents
And the angels gather round
The cleaning lady slips in through the door without a sound
And an old black dog
Looks on with the rest
At the little babe up on his mother's breast


And there comes a savior
And a preacher in the park
And he camps with the homeless
Where they shiver in the dark
He delivers salvation
To the weary and the cold
And he brings joy joy joy to the wandering soul 
And he brings joy joy joy to the wandering soul 


"First Christmas" -- Stan Rogers

One of Stan Rogers' best.

First the lyrics:

This day a year ago, he was rolling in the snow
With a younger brother in his father's yard
Christmas break, a time for touching home,
the heart of all he'd known
And leaving was so hard

Three thousand miles away,
now he's working Christmas Day
Making double time for the minding of the store
Well he always said, he'd make it on his own
He's spending Christmas Eve alone
First Christmas away from home

She's standing by the train station,
pan-handling for change
Four more dollars buys a decent meal and a room
Looks like the Sally Ann place after all,
in a crowded sleeping hall
That echoes like a tomb

But it's warm and clean and free,
and there are worse places to be
And at least it means no beating from her Dad
And if she cries because it's Christmas Day
She hopes that it won't show
First Christmas away from home

In the apartment stands a tree,
and it looks so small and bare
Not like it was meant to be,
Golden angel on the top
It's not that same old silver star,
you wanted for your own
First Christmas away from home

In the morning, they get prayers,
then it's crafts and tea downstairs
Then another meal back in his little room
Hoping maybe that "the boys" will think to phone
before the day is gone
Well, it's best they do it soon

When the "old girl" passed away,
he fell apart more every day
Each had always kept the other pretty well
But the kids all said the nursing home was best
Cause he couldn't live alone
First Christmas away from home

In the common room they've got the biggest tree
And it's huge and cold and lifeless
Not like it ought to be,
and the lit-up flashing Santa Claus on top
It's not that same old silver star,
you once made for your own
First Christmas away from home

"Christmas In The Trenches" -- John McCutcheon

This is exquisite.

First the lyrics:

My name is Francis Tolliver. I come from Liverpool.
Two years ago the war was waiting for me after school.
To Belgium and to Flanders, to Germany to here,
I fought for King and country I love dear.
It was Christmas in the trenches where the frost so bitter hung.
The frozen field of France were still, no Christmas song was sung.
Our families back in England were toasting us that day,
their brave and glorious lads so far away.
I was lyin' with my mess-mates on the cold and rocky ground
when across the lines of battle came a most peculiar sound.
Says I "Now listen up me boys", each soldier strained to hear
as one young German voice sang out so clear.
"He's singin' bloody well you know", my partner says to me.
Soon one by one each German voice joined in in harmony.
The cannons rested silent. The gas cloud rolled no more
as Christmas brought us respite from the war.
As soon as they were finished a reverent pause was spent.
'God rest ye merry, gentlemen' struck up some lads from Kent.
The next they sang was 'Stille Nacht". "Tis 'Silent Night'" says I
and in two tongues one song filled up that sky.
"There's someone commin' towards us" the front-line sentry cried.
All sights were fixed on one lone figure trudging from their side.
His truce flag, like a Christmas star, shone on that plain so bright
as he bravely strode, unarmed, into the night.
Then one by one on either side walked into no-mans-land
with neither gun nor bayonet we met there hand to hand.
We shared some secret brandy and wished each other well
and in a flare-lit soccer game we gave 'em hell.
We traded chocolates, cigarettes and photographs from home
these sons and fathers far away from families of their own.
Young Sanders played his squeeze box and they had a violin
this curious and unlikely band of men.
Soon daylight stole upon us and France was France once more.
With sad farewells we each began to settle back to war.
But the question haunted every heart that lived that wondrous night
"whose family have I fixed within my sights?"
It was Christmas in the trenches where the frost so bitter hung.
The frozen fields of France were warmed as songs of peace were sung.
For the walls they'd kept between us to exact the work of war
had been crumbled and were gone for ever more.
My name is Francis Tolliver. In Liverpool I dwell.
Each Christmas come since World War One I've learned it's lessons well.
That the ones who call the shots won't be among the dead and lame
and on each end of the rifle we're the same.

"Christmas In Prison" -- John Prine

This will make you count your blessings however meager they might be.

First the lyrics:

It was christmas in prison
And the food was real good
We had turkey and pistols
Carved out of wood
And I dream of her always
Even when I don't dream
Her name's on my tongue
And her blood's in my stream.

Chorus:
Wait awhile eternity
Old mother nature's got nothing on me
Come to me
Run to me
Come to me, now
We're rolling
My sweetheart
We're flowing
By god!

She reminds me of a chess game
Or a picnic in the rain
After a prairie fire
Her heart is as big
As this whole goddamn jail
And she's sweeter than saccharine
At a drug store sale.

Chorus:

The search light in the big yard
Swings round with the gun
And spotlights the snowflakes
Like the dust in the sun
It's christmas in prison
There'll be music tonight
I'll probably get homesick
I love you. goodnight.

"Christmas in New York" -- Shilelagh Law

Here's a wonderful song from a very under-appreciated and -- Shilelagh Law -- out of New York. First the lyrics:

there's snow in the air
winter is here
the wind in blowing
and outsides so clear
there's presents to wrap
and cards to send
it's christmas in new york again

there's somebody singing a holiday song
you pick up the tune and start singing along
you learned the words some time way back when
its christmas in new york again

fancy store windows and millions of lights
downtown in december, what a fabulous sight
you spin round and round trying to take it all in
its christmas in new york again

but as you gather round the table
with everyone you feel that something has been left undone
the tree is all trimmed, your shopping is through
but there's one last thing you still have to do

its christmas eve, 11 pm
you walk down to the church and you quietly go in
you kneel down in the last pew right on the aisle
and say "god i know its been a while
but can you do me a favor on this christmas eve
can you send some blessing to people for me
you know these past few months have been kinda tough
and we could all use a little love

so bless new york finest, our angels in blue
giving us hope and helping us through
and bless new yorks bravest, the f.d.n.y.
giving their sweat and their tears and their lives

and bless all the medics and our troops over seas
bless the guys in the hardhats, removing debris
bless the everyday people who answered the call
bless those who gave some and those who gave all

bless all the souls who left us this year
you may be gone but you'll always be hear
singing and dancing with family and friends
its christmas in new york again

and theres snow in the air
winter is here
the wind is blowing and outsides so clear
there's presents to wrap and cards to send
its christmas in new york again

fa la la la la la la la la la
x11
it's christmas in new york again


Saturday, December 21, 2013

Sunday, December 15, 2013

Top Ten Releases of 2013 from KBCS

The various djs at radio station KBCS (Bellevue, Washington) have issued their choices for the Best of 2013 releases:
Tracey Wickersham
Womanotes


Sarah Jarosz   - Build Me Up From Bones  (Sugar Hill )
Laura Marling – Once I Was An Eagle (Ribbon)
Aiofe O’ Donovan  - Fossils (Yep Roc)
Valerie June – Pushin’ Against a Stone (Concord)
Kelly Willis & Bruce Robison  - Cheater’s Game  (Premium/Thirty Tigers)
Laura Veirs  - Warp & Weft  (Raven Marching Band)
Mavis Staples   - One True Vine  (Anti)
Laura Cortese – Into the Dark  (independent)
Rokia Traore – Beautiful Africa  (Nonesuch)
Pharis & Jason Romero  - Long Gone Out West Blues  (Lula)

Tom Keeney
Bluegrass Ramble


Jr. Sisk & Joe Mullins – Hall of Fame Bluegrass (Rebel)
Chris Brashear – Heart of the Country (Dog Boy)
Adam Steffey – New Primitive (Organic)
Frank Solivan & Dirty Kitchen – On the Edge (Compass)
Peter Rowan – The Old School (Compass)
Alan Bibey & Wayne Benson – Mandolin Chronicles (Pinecastle)
Boxcars – It’s Just a Road (Mountain Home)
James King – 3 Chords and the Truth (Rounder)
Jim Lauderdale – Old Time Angels (Sky Crunch)
Gibson Brothers – They Call it Music (Compass)

Tamara Lewis
Sunday Folks


Valerie June – Pushin’ Against a Stone (Concord)
Gregory Alan Isakov – The Weatherman  (independent)
Milk Carton Kids – Ash and Clay (Anti)
Slaid Cleaves – Still FIghting the War (Music Road)
David Francey – So Say We All (Red House)
Patty Griffin – American Kid (New West)
Shannon Whitworth and Barrett Smith – Bring it on Home (independent)
Amy Speace – How to Sleep in a Stormy Boat (Wind Bone)
Lissa Schneckenburger – Covers (independent)
Grace Pettis – Two Birds (Blue Rock)
Best EP: The Living Sisters – Run for Cover (Vanguard)

Sandy Macdonald
Sunday Folks


Pharis & Jason Romero – Long Gone Out West Blues (Lula)
Bruce Molsky – If It Ain’t Here When I Get Back (independent)
Lauren Sheehan – The Light Still Burns (Wilson River)
Banjo Babes – Banjo Babes (Wepecket Island)
Pokey LaFarge – Pokey LaFarge (Third Man)
Alice Gerrard – Bittersweet (Spruce & Maple)
Martha Redbone Roots Project – The Garden of Love – Songs of William Blake (Blackfeet)
Old Buck – Old Buck (Tin Halo Music)
Veronica Sbergia & Max Di Bernardi – Old Stories For Modern Times (independent)
Dave Van Ronk – Down In Washington Square (3 CD set) (Smithsonian Folkways)

Rus Thompson
Road Song
s

Holly Williams – The Highway (independent)
Jason Isbell – Southeastern (independent)
Willie Nelson – To All The Girls (Legacy)
Townes Van Zandt – The Sunshine Boy Demos: 1971-72 (Omnivore)
Robbie Fulks – Gone Away Backward (Bloodshot)
Jessie Payo – Down The Mountain (Payote Records)
Mandolin Orange – This Side of Jordan (Yep Roc)
Tom Jones – Spirit in the Room (Rounder)
Glen Campbell – See You There (Surfdog)

Pete Goodall
Bluegrass Ramble


Junior Sisk & Ramblers Choice – The Story Of The Day That I Died (Rebel)
The Bluegrass Regulators – One Step Closer (independent)
Frank Solivan & Dirty Kitchen – On The Edge (Compass)
James King – Three Chords And The Truth (Rounder)
Della Mae – This World Oft Can Be (Rounder)
The Steeldrivers – Hammer Down (Rounder)
Noam Pikelny – Plays Kenny Baker Plays Bill Monroe (Compass)
Jim Lauderdale – Old Time Angels (Sky Crunch)
Rebecca Frazier – When We Fall (Compass)
Sideline – Session 1 (Mountain Fever)

Larry Lewin
Our Saturday Tradition


John McCutcheon – 22 Days (Appalsongs)
Eric Bogle – Roll Call (Greentrax)
April Verch – Bright Like Gold (Slab Town)
Slaid Cleaves – Still Fighting the War (Music Road)
Various Artists – Unsung Hero: A Tribute to the Music of Ron Davies (Warner / Chappell)
Pharis & Jason Romero – Long Gone Out West Blues (Lula)
Alice Gerrard – Bittersweet (Spruce and Maple)
Various Artists – Acoustic America (Putumayo)
Bill Kirchen – Seeds and Stems (Proper)
The Carper Family – Old-Fashioned Gal (independent)
“Honorable Mention: Big Country Bluegrass, Beppe Gambetta, Yvette Landry, Erynn Marshall, Laura Smith and Robin and Linda Williams”

Jean Geiger
Folksounds


David Francey – So Say We All (Red House)
John Reischman – Walk Along John (Corvus)
Pharis & Jason Romero – Long Gone Out West Blues (Lula)
Bruce Molksy – If It Ain’t Here When I Get Back (independent)
Kruger Brothers – Remembering Doc Watson (Double Time)
Claire Lynch – Dear Sister (Compass)
Tim O’Brien & Darrell Scott – Memories And Moments (Full Skies)
Sutton, Holt & Coleman – Ready For the Times (High Windy)
John McCutcheon – 22 Days (Appalsongs)
Alice Gerrard – Bittersweet (Spruce and Maple)

Eric Hardee
Folksounds


Helene Blum – But with my eyes open (Gateway)
David Francey – So say we all (Red House)
Lily Henley – Words like yours (independent)
Pharis & Jason Romero – Long Gone Out West Blues (Lula)
Sutton, Holt and Coleman – Ready for the times (High Windy)
Claire Lynch – Dear Sister (Compass)
The Onlies – Setting Out to Sea (independent)
Tradish – Beyond the Borders (GO’Danish Folk Music)
Tim O’Brien & Darrell Scott – Memories and Moments (Full Skies)
Brad & Ken Kolodner – Skipping Rocks (independent)

Christine Linde
Walkin’ the Floor


Robbie Fulks – Gone Away Backwards (Bloodshot)
Holly Williams – The Highway (independent)
Kelly Willis & Bruce Robison – Cheater’s Game (Premium)
The Carper Family – Old-Fashioned Gal (independent)
Lindi Ortega – Tin Star (Last Gang)
Sturgill Simpson – High Top Mountain (independent)
Emily Herring – Your Mistake (independent)
Slaid Cleaves – Still Fighting The War (Music Road)
Patty Griffin – American Kid (New West)
Cale Tyson – High On Lonesome (independent)
Tracey Wickersham
Womanotes
Sarah Jarosz   - Build Me Up From Bones  (Sugar Hill )
Laura Marling – Once I Was An Eagle (Ribbon)
Aiofe O’ Donovan  - Fossils (Yep Roc)
Valerie June – Pushin’ Against a Stone (Concord)
Kelly Willis & Bruce Robison  - Cheater’s Game  (Premium/Thirty Tigers)
Laura Veirs  - Warp & Weft  (Raven Marching Band)
Mavis Staples   - One True Vine  (Anti)
Laura Cortese – Into the Dark  (independent)
Rokia Traore – Beautiful Africa  (Nonesuch)
Pharis & Jason Romero  - Long Gone Out West Blues  (Lula)
- See more at: http://kbcs.fm/2013/12/10/top-ten-releases-of-2013-2/#sthash.PQPyHP3G.dpuf

Thursday, December 12, 2013

Rich Warren's Favorites of 2013

Rich Warren has posted his Favorites of 2013:
First, an explanatory note:

I refrain from calling these "The Best of 2013" because the following list is but one listener's biased opinion. I have culled these from the many good recordings that crossed my CD player this year. I'm sure I forgot to include a few notable recordings. All told, I estimate The Midnight Special received at least 1000 new recordings, and I listened to about 500 new recordings, of which about 250 made it into the WFMT library, and about 150 received airplay. I do not include reissues and most compilations among these favorites. As the cut-off date is November 15, some of the newest recordings will not be considered until next year.

Sometimes I am just overwhelmed by mediocrity and at other times marvel at the creativity and talent. There are a mere eight favorites this year. It boiled down to being exceptionally discriminating or a list of 25. I probably could have halved these or doubled the number yet again. There was ample good music, but only these eight grabbed me. While I thought about these choices long and hard for several weeks, if not most of the year, had I made the list a day earlier or a day later it might have been slightly different

If a good friend visited from out-of-town with only an hour or two to spare, and asked me to play my favorites from 2013, I would play the following. Actually, I have purchased quantities of several of them to give to friends for the holidays.

By way of explanation, I have annotated the CDs on the list, arranged alphabetically.

Sam Baker: Say Grace  self, no# (sambakermusic.com)
Sam Baker may be the songwriter of the year. I reacted to this CD the same way as when I first heard John Prine. Not that Baker is like Prine, per se, but he definitely follows a different path than most songwriters. His songs contain a quirky raw honesty without apology. Some listeners may even be offended by a few of the songs, but at the same time marvel at the way Baker expresses himself. He obliquely touches on politics with his cleverly crafted songs that burrow deep in the human condition.

Childsplay: As the Crow Flies  self 006 (childsplay.org)
All the string instruments of this large ensemble were built by Bob Child, thus the name Childsplay. Liz Carroll superbly produced the CD as well as composing some of the tunes, and filled the rest with a variety of traditional and original tunes and songs by some of the musicians on the recording. Lissa Schneckenburger beautifully sings the vocals, making traditional songs entirely her own, as well as fiddling, while fiddler Hanneke Cassel performs many of the  impressive fiddle solos and wrote some incredibly beautiful tunes, such as The Last Alleluia.

James Keelaghan: History The First 25 Years  Borealis 222 (keelaghan.com)
Normally, my rules forbid choosing a compilation or reissue for a favorite of the year, but if there ever was a worthy exception, this 18 song retrospective by Keelaghan is it. First, Keelaghan is one of the greatest singer-songwriters in the folk tradition living today. Period. Not to mention a splendid voice with which to sing his songs. While many artists err or take poor advice as to which songs to include on a “best of” retrospective, Kelo hits the nail on the head. What makes this more unusual is an accompanying DVD that includes his concert introductions to each song and explanations about them, but not a video of the actual song. The audio recording of each, which includes Kiri’s Piano, Cold Missouri Waters, Captain Torres (which seems to have been remixed so the lyrics are much clearer) and McConnville’s, stand alone. This really is a “must have” CD.

Old Man Luedecke: Tender Is the Night True North 569 (oldmanluedecke.com)
First, Luedecke is not an old man, he’s somewhere around 30. He is something of a cross between the young Loudon Wainwright and Ralph Stanley. He borrows traditional and contemporary song titles for his original songs, tips his hat to the original and off he goes. The album sounds vaguely old-timey, with a contemporary tilt. I greatly appreciate off-beat, highly original artists and Luedecke fills the bill.

Audra McDonald: Go Back Home Nonesuch 517766-2 (audramcdonald.com)
This is not a folk album; it falls in the intriguing vortex of cabaret, concert, lieder and pop. The reason I chose it goes beyond McDonald’s glorious voice. She’s a superb interpreter and her selection of songs involving and captivating. I'll Be Here by Adam Gwon is worth the entire CD, but Married Love by Michael John LaChiusa also is worth the journey. There are many better known songwriters represented and a few familiar songs as well.

Mist Covered Mountains: This Distant Shore self, no# (fiddlingdemystified.com/bands/mist)
This all-too-short CD snuck up on me. The vocals are good, but not outstanding, the musicianship is skilled, but not extraordinary, however, the sum is greater than the parts. Perhaps it’s because this trio chose eight rather extraordinary songs (although I felt cheated there were not more). Including only one completely original song (and a few original additions to another song or two), Mist Covered Mountains covers songs by Archie Fisher, John Gorka, Richard Berman and a handful of traditional songs, including a lovely version of Fear an Bhata and The Parting Glass with a new verse or two. All in all it’s a delightful CD from leftfield. Why, the group doesn’t even have its own Website.

Anais Mitchell & Jefferson Hamer: Child Ballads Wilderland 002 (anaismitchell.com)
No originals here, except that this is a highly original CD. Mitchell & Hamer fix their sights on the great canon of English and Scottish Popular Ballads as compiled and researched by Francis Child in the 19th century. Popular ballads at that time are what we call traditional or roots now, and Childs collection probably is the greatest in the English language. Mitchell & Hamer chose seven of these great ballads to brilliantly interpret, picking and choosing from the many variants of each ballad collected by Child to assemble a cohesive story. They then bring the songs to an enchanting and contemporary sensibility without altering the lyrics or “jazzing” them up. They provide convincingly sincere vocals with a most pleasing uncluttered accompaniment. I love these great old ballads and this is the best interpretation of them I’ve heard in many a year. My only complaint is that the CD should contain a few more ballads. After all, they are free of royalties.

Nora Jane Struthers & The Party Line Carnival Blue Pig 2222 (norajanestruthers.com)
Struthers fuses old-time bluegrass with contemporary singer-songwriter into a beguiling amalgam of influences that still seem at home under the bluegrass umbrella. Her well crafted lyrics cover a wide range of topics and their poetry sneaks up on the listener, while her melodies are pure ear candy. This is the kind of CD you can put in the player and hit “repeat” without growing bored.

Honorable mention:

Amy Speace: How to Sleep in a Stormy Boat Wind Bone 59709-60466 (amyspeace.com)
Speace ought to win an award for the best title of the year, but these also are the best songs she’s written or co-written, all inspired in some way by William Shakespeare. Her assured voice brings the songs to life and takes you on an compelling voyage.

Laura Smith: Everything Is Moving  Borealis 224 (laurasmith.ca)
After a long hiatus Laura Smith returns in better voice than ever, with her smoky alto fully caressing and illuminating ten songs ranging from traditional to original to covers, and like with Mist Covered Mountains above, Smith has exceptionally well chosen her material.

Rich Warren
The Midnight Special & Folkstage
www.midnightspecial.org

Sunday, December 8, 2013

The genesis of "Fairytale of New York"

Niall O'Dowd provides the background on the making of "The Fairytale of New York."

The song's lyrics:
It was christmas eve babe
In the drunk tank
An old man said to me: won't see another one
And then they sang a song
The rare old mountain dew
I turned my face away and dreamed about you
Got on a lucky one
Came in eighteen to one
I´ve got a feeling
This year´s for me and you
So happy christmas
I love you baby
I can see a better time
Where all our dreams come true.

They got cars big as bars
They got rivers of gold
But the wind goes right through you
It´s no place for the old
When you first took my hand on a cold christmas eve
You promised me broadway was waiting for me
You were handsome you were pretty
Queen of new york city when the band finished playing they yelled out for more
Sinatra was swinging all the drunks they were singing
We kissed on a corner
Then danced through the night.

And the boys from the NYPD choir were singing Galway Bay
And the bells were ringing out for christmas day.

You´re a bum you´re a punk
You´re an old slut on junk
Lying there almost dead on a drip in that bed
You scumbag you maggot
You cheap lousy faggot
Happy christmas your arse I pray god it´s our last.

And the boys of the NYPD choir's still singing Galway Bay
And the bells were ringing out
For christmas day.

I could have been someone
Well so could anyone
You took my dreams from me
When I first found you
I kept them with me babe
I put them with my own
Can´t make it out alone
I´ve built my dreams around you

And the boys of the NYPD choir's still singing Galway Bay
And the bells are ringing out
For christmas day.

This year's Grammy nominations

Kim Ruehl details the folk and Americana-oriented Grammy nominations alongside her commentary.

Another Best of 2013 list

Kim Ruehl offers her choice as the best releases of 2013 -- they number eight.

Saturday, December 7, 2013

Mike Regenstreif's Top 13 for 2013

Mike Regenstreif has posted his Top 13 folk releases for 2013. It's interesting that no 'newcomers' or those relatively so to the genre made the cut for him (it's always great to hear about newbies establishing a name). We'll try and locate other lists for 2013 and post them.

Wednesday, December 4, 2013

"Danny Boy" reaches a century


"Danny Boy" is 100 years old, still beloved but also besmirched. What other song could have been recorded by Elvis, Bing Crosby, Cher, Willie Nelson and Mario Lanza?

Here's Frank Patterson:

Monday, December 2, 2013

"The Pogues 30 Years"

Alexis Petridis reviews the new nine disc release "The Pogues 30 Years" and provides the band's history as well.

Everyone has heard "Fairytale of New York" (especially around this time of year) but there are a number of brilliant Pogues songs -- "If I Should Fall From Grace With God," "Turkish Song of the Damned," "Thousands Are Sailing," "Streams of Whiskey" plus the best titled release ever in "Rum, Sodomy and the Lash".

Friday, November 29, 2013

A review of the John McCutcheon CD "22 Days"

The sense that creativity wanes with the turning of the calendar page is absolutely turned on its head by John McCutcheon's new release "22 Days." The birth father to 36 creations in his musical lineage, the latest demonstrates that age certainly hasn't diminished his imagination.

What was the genesis for this offering? Paying homage to friend and musical comrade Vedran Smailovic who faced down death in war torn Sarajevo during the Balkan War by publicly playing a classical music piece for 22 straight days in honor of that number of civilian deaths there due to a mortar attack.

So in late May 2012, McCutcheon spent 22 consecutive days writing and composing. Covering topics illuminating a wide spectrum of emotions and traits, his worldly collection depicts love, hate, fear, courage, humor and tragedy and more as he sets his words amidst celtic, shanty, Appalachian and general folk tunes.

With smooth vocals that neither shout nor scold, McCutcheon sings of recent sordid history in Pakistan, peace substituted for war, aging gracefully, southern cuisine (apparently not an oxymoron), the void due to the absence of a longtime mate, mushroom hunting (of which it would be wonderful if Stan Rogers were still alive to take on this song -- maybe Garnet will do so), the work left for the backs, arms and shoulders of immigrants, a pub patron's dream/nightmare, the war loss of a lover, mining destruction, the infinite beauty of song and and the vagaries of viewing those who weave in and out of our lives.

Every listener will emerge from listening with his and her own favorites. For this reviewer "Of an Age," stands out but possibly you have to be more than a few decades into your life to truly appreciate it.

Add in "Heaven's Kitchen" whose title should somehow have included the word fried, the tierra firma shanty "Dry Land Fish," and the celestial love song "Orion's Belt."

"Tonight" reeks of Harlan County due to both lyrics and very effective banjo but the genesis for the song is unfortunately far more widespread.

In the broadest of statements and employing an ample brush, McCutcheon has never penned a song even verging on the why-did-he-record-that territory. His musical ear remains keen as well as consistent.

On that aspect, why isn't McCutcheon a Kennedy Center honoree? There may not have been millions earned or entertained but, of the quality, proficiency and deservedness, there can be no doubt.

Play List

Forgotten (4:58)
Fitzgerald (2:48)
Of an Age (3:28)
Heaven's Kitchen (3:18)
Morning (3:40)
Dry Land Fish (2:39
Nothing Like You (5:46)
The Night That Dan Ryan Got Locked in the Pub (5:00)
Orion's Belt (4:16)
Tonight (4:46)
She Sings ((3:33)
The Man Walking His Dog (2:41)
Adagio in Am (3:15)

Thursday, November 21, 2013

Learn about John Gorka

Bill Craig writes of an impending John Gorka concert, with a good amount of background on how Gorka came to the world of folk music.

Geoff Bartley's "Who Killed JFK?"

Here's Geoff Bartley performing his song "Who Killed JFK?"

Wednesday, November 20, 2013

A Bob Dylan - Dave Carter song theme comparison

This is probably too much of a reach but here goes anyway.

Below is a You Tube video plus the lyrics to Bob Dylan's song “It’s Alright, Ma (I’m Only Bleeding)”



Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child’s balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying

Pointed threats, they bluff with scorn
Suicide remarks are torn
From the fool’s gold mouthpiece the hollow horn
Plays wasted words, proves to warn
That he not busy being born is busy dying

Temptation’s page flies out the door
You follow, find yourself at war
Watch waterfalls of pity roar
You feel to moan but unlike before
You discover that you’d just be one more
Person crying

So don’t fear if you hear
A foreign sound to your ear
It’s alright, Ma, I’m only sighing

As some warn victory, some downfall
Private reasons great or small
Can be seen in the eyes of those that call
To make all that should be killed to crawl
While others say don’t hate nothing at all
Except hatred

Disillusioned words like bullets bark
As human gods aim for their mark
Make everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It’s easy to see without looking too far
That not much is really sacred

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the president of the United States
Sometimes must have to stand naked

An’ though the rules of the road have been lodged
It’s only people’s games that you got to dodge
And it’s alright, Ma, I can make it

Advertising signs they con
You into thinking you’re the one
That can do what’s never been done
That can win what’s never been won
Meantime life outside goes on
All around you

You lose yourself, you reappear
You suddenly find you got nothing to fear
Alone you stand with nobody near
When a trembling distant voice, unclear
Startles your sleeping ears to hear
That somebody thinks they really found you

A question in your nerves is lit
Yet you know there is no answer fit
To satisfy, insure you not to quit
To keep it in your mind and not forget
That it is not he or she or them or it
That you belong to

Although the masters make the rules
For the wise men and the fools
I got nothing, Ma, to live up to

For them that must obey authority
That they do not respect in any degree
Who despise their jobs, their destinies
Speak jealously of them that are free
Cultivate their flowers to be
Nothing more than something they invest in

While some on principles baptized
To strict party platform ties
Social clubs in drag disguise
Outsiders they can freely criticize
Tell nothing except who to idolize
And then say God bless him

While one who sings with his tongue on fire
Gargles in the rat race choir
Bent out of shape from society’s pliers
Cares not to come up any higher
But rather get you down in the hole
That he’s in

But I mean no harm nor put fault
On anyone that lives in a vault
But it’s alright, Ma, if I can’t please him

Old lady judges watch people in pairs
Limited in sex, they dare
To push fake morals, insult and stare
While money doesn’t talk, it swears
Obscenity, who really cares
Propaganda, all is phony

While them that defend what they cannot see
With a killer’s pride, security
It blows the minds most bitterly
For them that think death’s honesty
Won’t fall upon them naturally
Life sometimes must get lonely

My eyes collide head-on with stuffed
Graveyards, false gods, I scuff
At pettiness which plays so rough
Walk upside-down inside handcuffs
Kick my legs to crash it off
Say okay, I have had enough, what else can you show me?

And if my thought-dreams could be seen
They’d probably put my head in a guillotine
But it’s alright, Ma, it’s life, and life only



Now more of the above lyrics actually apply but look at these in particular:

Disillusioned words like bullets bark
As human gods aim for their mark
Make everything from toy guns that spark
To flesh-colored Christs that glow in the dark
 It’s easy to see without looking too far
That not much is really sacred 

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the president of the United States
Sometimes must have to stand naked


Then listen to the late Dave Carter's song "Hey Ho" performed by his musical partner Tracy Grammer (the lyrics are also below):

 

tv's on, the favorite son is
watchin how the west was won
daddy, please, a plastic gun
get brother one for twice the fun

little camo helmet-heads
makin brave and playin dead
missiles made of gingerbread
and dollars on the dime

hey ho, so it goes, the point of sale, the puppet show
the merchant kings of war and woe have turned their hands to labor
sound out the trumpet noise, the cannons bark and jump for joy
someone's dread and darlin boy has fallen on his saber

another world across the sea
home for little busy bees
sweatin in some factory
hurry please, more of these

action dolls with laser sights
robot planes that shoot at night
faster kid, and get it right
they're rollin down the line

hey ho, so it goes ...

these days the spin machine
is always on the silver screen
secret plots and submarines
foreign fiends and magazines

wave the flag, watch the news
tell us we can count on you
mom and dad are marchin too
children, step in time

hey ho, so it goes ...

bring your kids and coddled pets
bouncin babes in bassinets
we'll play a game with tanks and jets
better yet, bayonets

marchin bands and color guards
funerals in your own backyard
don't forget your credit card
johnny, hold the line

hey ho, so it goes ... 

Notice some of the similar themes?

"Jus Post Bellum - Oh July"

With a Civil War theme, "Jus Post Belluum - Oh July"  is highlighted by this Greg Jones review.

Take a listen.

Brilliant Irish ballads that will melt your heart

Just as the headline indicates - LINK

Broadening the spectrum

Casey Quinlin traces the arc of country music themes as a few 'outlaw' women are parading a different sense of rural reality in their music.

Dylan and "Like A Rolling Stone" video

Bob Dylan's iconic song "Like A Rolling Stone" is now paired up with a music video.

Friday, November 15, 2013

"Folk" the documentary

Sara Terry has produced a documentary titled "Folk" and it features Hilary Adamson of The Flyin’ A’s, Dirk Hamilton the trio of John Elliott, Raina Rose and Anthony da Costa.

Faith Petric has died

Aidin Vaziri/San Francisco Chronicle profiles Faith Petric, who recently passed.

Mark Moss has more.

Friday, October 25, 2013

Danny Schmidt and "Stained Glass'

There are no superlatives to capture Danny Schmidt's masterpiece "Stained Glass" -- just listen.

It was thirty days til Easter when the elm tree hit the church
Thank God it fell on Friday cause at least no one was hurt
But there was fear it might delay the second coming of the lord
Cause the stained glass crucifixion was in stains upon the floor
They spent a day of cleaning and a day to board the hole
Where the stained glass once had cast a godly light upon the fold
But come the Sunday service all the faces now were gray
And they commenced to take donations as the faithful knelt to pray
But on Monday they discovered that the man who’d built the glass
Was the only man in town who could and sadly he had passed
But his father who was ninety said the tools were in the shed
And he’d kindly try and resurrect the window from the dead
The congregation argued, but the wise ones all rejoiced
In the one hand was solution, in the other was no choice
And they gave the man their blessings and they gave his hand a shake
And they gave him all the coins they had collected on their plate
It was seven days til Easter and they’d seen a hide nor hair
So they came and knocked at suppertime in hopes the man was there
But a banging from the basement was ‘bout all that they could hear
And curses that might make the devil blush and wash his ears
Come first thing Easter morning and to everyone’s good grace
The man was up on ladders with the window nailed in place
It was covered in black velvet like a hood or like a veil
He pulled the sheet and there it hung apocryphal and frail
The seams had melted jagged, they were crooked like a spine
The glass was rough like hands of man against the hands of time
And there was bloodstains in the red and there were teardrops in the blue
He said: It may not be the best but it’s the best that I can do
The chapel fell to silence, it was more than just surprise
As the monstrosity of color slid its tongue across their eyes
And they shivered from exposure like babies born again
Cause in every pane of glass was all the joy and pain of man . . .
There was every fearful smile, there was every joyful tear
There was each and every choice that leads from every there to here
There was every cosy stranger and every awkward friend
And there was every perfect night that’s left initials in the sand
There was every day that filled so full the weeks would float away
And there was all those days spent wondering what to do with all those days
There was every lie that ever saved the truth from being shamed
And every secret you could ever trust a friend to hide away
There was the fortune of discovering a new face you might adore
And the thrill of coming home to find her clothes upon the floor
And the prideful immortality of children in the home
That the storm can’t grind the mountain down, it can only shift the stones
And there was everything your mouth says that your lips don’t understand
And every shape inside your head you can’t carve with your hands
And every slice of glass revealed another slice of life
Emblazened imperfections in a perfect stream of light
It all flooded through the window like rapids made of fire
And then God rode through on sunshine and sat down cause he was tired
He was tired.
As the thunder and the hardwood settled back into its place
God removed his veil and there were scars across his face
And some folks prayed in reverence and some folks prayed in fear
As all the shades and chaos in the glass became a mirror

Danny Schmidt singing "This Too Shall Pass"

Below is Danny Schmidt performing "This Too Shall Pass"

Meet Cindy Mangsen & Steve Gillette

Cindy Mangsen and Steve Gillette are like the first couple of folk music and Steve Ide/Mac McLanahan do a fine job in presenting them in print and video.

Tuesday, October 22, 2013

More on Woody Guthrie

Kim Ruehl interviews musician Nora Guthrie regarding the various happenings involving the work of Guthrie's famous father.

Sunday, October 20, 2013

Tracy Grammer -- "Artist In Residence"

Tracy Grammer has been honored as an 'Artist In Residence' courtesy of Listen Live! Music in Macungie at The Macungie Institute.

A Linda Thompson update

Jim Farber reviews the new album -- "Won't Be Long Now" -- from Linda Thompson.

Tim Cumming details Linda Thompson's favorite Trad songs, with links to each.

Friday, October 18, 2013

"Land O' The Leal"

Here is Andy M. Stewart (Silly Wizard) performing "Land O' The Leal"

Since embedding is disabled on this version, hit the link above. The first three minutes is talk between the band members and the song background. Other performances produce a more emotional version but this one still works. Or go the the embeddable version below.

I'm wearin' awa', Jean
Like snaw-wreaths in thaw, Jean,
I'm wearin' awa'
To the land o' the leal.
There 's nae sorrow there, Jean,
There 's neither cauld nor care, Jean,
The day is aye fair
In the land o' the leal.
Ye, aye,were leal and true, Jean,
Yer task is ended noo, Jean,
And I'll welcome you, Tae the lan' o'the Leal
Our bonnie bairn 's there, Jean,
She was baith gude and fair, Jean;
And O! we grudged her sair
To the land o' the leal.
SO, dry that tearfull e'e, Jean!
My saul langs to be free, Jean,
And angels wait on me
To the land o' the leal.
Now fare-ye-weel, my ain John,
This warld's cares are vain, John,
We'll meet, and we'll be fain,
In the land o' the leal.

Below is an embeddable version:

Love this song

It's "The Loch Tay Boast Song" as performed by the late and lamented Silly Wizard band with Andy M. Stewart singing:

When I've done the work o day,
And I row my boat away,
Down the waters o Loch Tay,
When the evening light is fallin',
And I look towards Ben lawyers,
Where the after glories glow,
And I dream on two bright eyes,
With a merry mouth below,
Shes my beauteous nigh-ean ruadh,
Shes my joy and sorrow too,
And although she is untrue,
Well I cannot live without her,
For my hearts a boat in tow,
And I'd give the world to know,
If she means to let me go,
As I sing hee-re, ho-ro

Nighean ruadh your lovely hair,
Has more beauty I declare,
Than all the tresses fair,
From Killin and Aberfeldy,
Be they lint white, Brown or gold,
Be they blacker than the sloe,
They mean not as much to me,
Than the melting flake of snow,
Her dance is like the gleam,
O the sunlight on the stream,
And the song the wee folks sing,
Oh, they're the songs she sings at milking,
But my heart is full of woe,
For last night she bade me go,
And the tears begin to flow,
As I sing Hee-ree,Ho-ro

A Slaid Cleaves update

Brandy McDonnell offers the latest plus some background on Slaid Cleaves, who has a new release out.

Thursday, October 17, 2013

Tuesday, October 15, 2013

A Bob Franke interview

Kathy SB conducts a brief Q-and-A with Bob Franke, an under appreciated artist because anyone who has created the following has more than a touch of genius:



"For Real"

Death took the husband of a neighbor of mine
On a highway with a drunk at the wheel
She told me keep your clean hands off the laundry he left
And don't tell me you know how I feel
She had a tape that he'd sent her from a Holiday Inn
That she never played much in the day
But when I heard him say I love you through the window at night
I just stayed the hell away

Chorus:
There's a hole in the middle in the middle of the prettiest life
So the lawyers and the prophets say
Not your father nor your mother nor your lover's ever gonna make it go away
Now there's too much darkness in an endless night
To be afraid of the way we feel
Let's be kind to each other
Not forever but for real

My father never put his parachute on
In the pacific back in World War II
He said he'd rather go down in familiar flame
Than get lost in that endless blue
Well some of that blue got into my eyes
And we never stopped fighting that war
Until I first understood about endlessness
And I loved him like never before

There's a hole in the middle in the middle of the prettiest life
So the lawyers and the prophets say
Not your father nor your mother nor your lover's ever gonna make it go away
Now there's too much darkness in an endless night
To be ashamed of the way we feel
Let's be kind to each other
Not forever but for real

Lucky my daughter got her mother's nose
And just a little of her father's eyes
And we've got just enough love
That when the longing takes me
It takes me by surprise
And I remember that longing from my highway days
When I never could give it a name
And it's lucky that I discovered in the nick of time
That the woman and the child aren't to blame

For the hole in the middle of a pretty good life
I only face it 'cause it's here to stay
Not my father nor my mother nor my daughter nor my lover
Nor the highway made it go away
But now there's too much darkness in an endless night
to be afraid of the way I feel
I'll be kind to my loved ones
Not forever but for real

Some say god is a lover, some say it's an endless void
And some say both, and some say she's angry
And some say just annoyed
But if god felt a hammer in the palm of his hand
Then god knows the way we feel
And then love lasts forever
Forever and for real


++++++++++



"Thanksgiving Eve"

It's so easy to dream of the days gone by
It's a hard thing to think of the times to come
But the grace to accept ev'ry moment as a gift
Is a gift that is given to some


Chorus:
What can you do with your days but work & hope
Let your dreams bind your work to your play
What can you do with each moment of your life
But love til you've loved it away
Love til you've loved it away


There are sorrows enough for the whole world's end
There are no guarantees but the grave
And the life that I live & the time I have spent
Are a treasure too precious to save


As it was so it is, as it is shall it be
And it shall be while lips that kiss have breath
Many waters indeed only nurture Love's seed
And its flower overshadows the power of death


 ++++++++++



* "Alleluia, The Great Storm" is Over"

The thunder and lightning gave voice to the night,
The little lame child cried aloud in her fright,
Hush little baby, a story I'll tell,
Of a love that has conquered the powers of hell.


CHORUS:
Alleluia, the great storm is over,
Lift up your wings and fly!
Alleluia, the great storm is over,
Lift up your wings and fly!


Sweetness in the air and justice on the wind
Laughter in the house where the mourners have been
The deaf shall have music, the blind have new eyes
The standards of death taken down by surprise.


Release for the captives, an end to the wars
New streams in the desert, new hope for the poor,
The little lame children will dance as they sing,
And play with the bears and the lions in spring.


Hush little baby, let go of your fear,
The lord loves his own and your mother is here,
The child fell asleep as the lantern did burn,
The mother sang on 'til her bridegroom's return.


++++++++++



* Hard Love

I remember growing up like it was only yesterday
Mom & Daddy tried their best to guide me on my way
But the hard times & the liquor drove the easy love away
And the only love I knew about was hard love

It was hard love, every hour of the day
When Christmas to my birthday was a million years away
And the fear that came between them drove the tears into my play
There was love in daddy's house, but it was hard love

And I recall the gentle courtesy you gave me as I tried
To dissemble in politeness all the love I felt inside
And for every song of laughter was another song that cried
This ain't no easy weekend, this is hard love

It was hard love, every step of the way
Hard to be so close to you, so hard to turn away
And when all the stars and sentimental songs dissolved to day
There was nothing left to sing about but hard love

So I loved you for your courage, and your gentle sense of shame
And I loved you for your laughter and your language and your name
And I knew it was impossible, but I loved you just the same
Though' the only love I gave to you was hard love

It was hard love, it was hard on you, I know
When the only love I gave to you was love I couldn't show
You forgave the heart that loved you as your lover turned to go
Leaving nothing but the memory of hard love

So I'm standing in this phone booth with a dollar and a dime
Wondering what to say to you to ease your troubled mind
For the Lord's cross might redeem us, but our own just wastes our time
And to tell the two apart is always hard, love

So I'll tell you that I love you even though I'm far away
And I'll tell you how you change me as I live from day to day
How you help me to accept myself and I won't forget to say
Love is never wasted, even when it's hard love

Yes, it's hard love, but it's love all the same
Not the stuff of fantasy, but more than just a game
And the only kind of miracle that's worthy of the name
For the love that heals our lives is mostly hard love

Sunday, October 13, 2013

It's time for The Handsome Family

Patrick Emery present "The Handsome Family" --the irony abounds once you check the lyrics.

"My Beautiful Bride"



"Giant of Illinois"

 

"Your Great Journey"

Thursday, October 3, 2013

Monday, September 30, 2013

Dylan & the Nobel prize in Literature

Does Bob Dylan qualify for a Nobel prize in Literature?

Bill Wyman says yes.

Wyman employs Dylan's lyrics in making the case.

Sunday, September 22, 2013

"Accidental Racist"

Brad Paisley is a name that doesn't comes up when folk music is being discussed but he generated some very interesting controversy in a recent interview with the genesis of the uproar being his defense/explanation regarding his song "Accidental Racist."

The Atlantic's Ta-Nehisi Coates, as usual, serves as educator.

Here's the song video:

Friday, September 20, 2013

The 'best' emigration songs

Irish Central serves up its Top 10 emigration songs.

#7  -- The Pogues  "Thousands Are Sailing" is my fave "(I've posted a different version which also provides the compelling Phil Chevron-written lyrics):

Wednesday, September 11, 2013

Live At Caffe Lena : Music From America’s Legendary Coffeehouse, 1967-2013

This sounds like it will certainly be of interest to many folk music fans: Live At Caffe Lena : Music From America’s Legendary Coffeehouse, 1967-2013

The music featured:

DISC ONE
01 Intro by Lena Spencer / Guy Carawan Cripple Creek 1970
02 Hedy West Shady Grove 1968
03 Intro by Lena Spencer / Sleepy John Estes Holy Spirit 1974
04 Frank Wakefield and Friends Will The Circle Be Unbroken 1971
05 Jean Ritchie West Virginia Mine Disaster 1969
06 Billy Faier Hunt The Wren 1967
07 Greenbriar Boys Hit Parade of Love 1968
08 Mike Seeger O Death 1971
09 Jacqui and Bridie Hello Friend 1974
10 Tom Paxton Morning Again 1968
11 David Amram Little Mama 1974
12 Patrick Sky Reality Is Bad Enough 1971
13 Rosalie Sorrels Travelin’ Lady 1974
14 Smoke Dawson Devil’s Dream 1968
15 Utah Phillips The Green Rolling Hills of West Virginia 1974
16 Michael Cooney Thyme It Is A Precious Thing 1974
17 Kate McGarrigle and Roma Baran Caffè Lena 1972

DISC TWO
01 Intro by Lena Spencer / Dave Van Ronk Gaslight Rag 1974
02 Jerry Jeff Walker Mr. Bojangles 1968
03 Barbara Dane Mama Yancey’s Advice / Love With a Feeling 1968
04 Roy Book Binder Ain’t Nobody Home But Me 1974
05 Intro by Lena Spencer / David Bromberg The Holdup 1972
06 Ramblin’ Jack Elliott Pretty Boy Floyd 1992
07 Arlo Guthrie City of New Orleans 2010
08 Aztec Two Step The Persecution and Restoration of Dean Moriarty 1989
09 Happy And Artie Traum Trials Of Jonathan 1974
10 Rick Danko It Makes No Difference 1988
11 Paul Geremia Something’s Gotta Be Arranged 1989
12 Robin and Linda Williams S-A-V-E-D 1987
13 John Herald Ramblin’ Jack Elliott 1991
14 Pete Seeger Somos El Barco (We Are the Boat) 1985

DISC THREE
01 Sarah Lee Guthrie and Johnny Irion Folksong 2013
02 Anais Mitchell Wedding Song 2013
03 Bill Morrissey The Last Day Of The Furlough 1990
04 Patty Larkin Island Of Time 1992
05 Greg Brown Flat Stuff 1989
06 Mary Gauthier I Drink 2013
07 Sean Rowe Old Black Dodge 2013
08 Tom Chapin Cats In The Cradle 1987
09 Intro by Lena Spencer / Christine Lavin It’s A Good Thing He Can’t Read My Mind 1987
10 Bill Staines Sweet Wyoming Home 1990
11 Bucky and John Pizzarelli I Like Jersey Best 1989
12 Rory Block That’s No Way To Get Along 1989
13 Chris Smither Killing The Blues 1989
14 Tift Merritt Traveling Alone 2013
15 John Gorka Down In The Milltown 1990
16 Lena Spencer Dear Little Cafe 1972

Monday, September 9, 2013

Jeff Buckley: his life and music

Here's some background on the late Jeff Buckley plus news about a play involving his music and a tribute concert from back in August.

Saturday, September 7, 2013

Justice for Victor Jara

In 1973, the U.S. government aided in the murdering of Chilean singer-songwriter Victor Jara as well as thousands of others. May individual accountability take place since Henry Kissinger, the late Richard Nixon and that ilk won't be charged despite blood coating their evil hands. Just another example of American exceptionalism and of God shedding his grace on thee. LINK

Wednesday, September 4, 2013

Deportee

John McCutcheon sings "Deportee - Plane Wreck at Los Gatos" at a recent ceremony honoring those who died and were buried in a mass grave back in 1948 after a plane crash in Coalinga, CA.

Here is more background.

A Slaid Cleaves update

Here's some background and an interesting interview with Slaid Cleaves.

Monday, September 2, 2013

Sunday, September 1, 2013

Wednesday, August 21, 2013

Saturday, August 3, 2013

Remembering Al Grierson

Al Grierson sadly passed in November 2000. His lyrical talent was so far and above the normal realm, right up there with the late Dave Carter.

COYOTE
(Al Grierson)

I've been reading all about it in the annals of some ancient lore,
How you were smuggled through the garden by the angel at the basement door,
And while the serpent in the branches held the mother of the world beguiled,
You were pissin' on the Tree of Knowledge while the Good Lord smiled.

Old coyote
Little brother of necessity and the seeker of the sacred clown,
Old Coyote,
You're the fire in the water and the diamonds in the cold cold ground.

On the mountain top with Moses and with Daniel in the lions den,
In the bedroom with Delilah -- in the hollow in the hearts of men,
On the hill on Friday Evening when the soldiers rolled them bones,
In the garden Sunday mornin' when they rolled away the stone.

Old Coyote,
On the edges of eternity dancin' through the crack of dawn,
Old Coyote,
With a pearly white Madonna and the devil with the blue dress on.

In the bed between the Travellin' Salesman and the Farmer's Daughter,
At the elbow of the preacher when the wine turned back to water,
In the cabin of a smokin' locomotive on a high speed train,
Between the Tower of Babel and the cities of the plain.

Old Coyote,
You're a 30-carat Buddha in a barrel full of old tin cans,
Old Coyote,
Just a loose screw messin' with the engine of our best laid plans.

Now there's an ancient city hidden deep beneath the waves,
It was founded on the principles of justice -- and the sweat of slaves,
And I heard a lot about it in a New Age gospel hymn,
But I ain't never gonna wade in any water where the fish won't swim.

Old Coyote,
In a verticle position while the world walks upside down,
Old Coyote,
At the center of the circle while the wheel goes 'round and 'round.

Now there's a big wind blowin' down the cities from the outlaw trail
You can even hear it whistle in the belly of the great white whale,
Hear it howlin' through the desert where Ezekial saw the wheel,
From the breath upon the water to the breaking of the seventh seal.

Is this the end of history or just a wagon full of roses standin' at the gates of Rome
The devil's army on the deep blue sea,
Or just the legions of the lonely only lookin' for the long way home.

'Cause there's an angel with a trumpet in the graveyard where the night wind groans,
Hear it echo from the brothel on the bayou where the black snake moans,
From the Playboy mansion to the penthouse to the pool,
From the palace of the kingdom to the alley where the mad dogs rule.

Waitin' for the holocaust--
waitin' for the fire that was promised at the end of time,
Waitin' for the Pentacost
Hidin' like a phoenix in the ashes and the ice cold lime.

Old Coyote,
At the center of the chaos waitin' since the Lord knows when,
Old Coyote,
Gonna wait a little longer 'till it all comes 'round again.

Little brother of necessity -- the seeker and the sacred clown,
You're the fire in the water and the diamonds in the cold cold ground,
A 30-carat Buddha in a barrel full o' old tin cans,
Just a loose screw messin' with the engine of our best laid plans,

Old Coyote,
In a vertical position while the world walks upside down,
Old Coyote,
At the center of the circle while the wheel goes 'round and 'round.
Old Coyote,
At the center of the circle while the wheel goes 'round and 'round.

+++++

THE PETALS
(Al Grierson)

Come with me and be my love and we'll go high above the city
To the mountains where the olden rivers run
And I'll lay for you a table just as fine as I am able there
To eat the golden apples of the sun

And it'll be you and me, honey, at the dawn of all creation
Watching God set down the needle in the groove
And we'll both just sit and gaze into the empty face of darkness
Till we notice something move
Where the necessity of sin has yet to blossom or begin
Though you can feel the heavy purpose in the air
As in the beauty of His grace He comes to look upon your face
And kiss the petals on the flowers in your hair

Come with me and be my love, oh lay me down among the lilies
Lay beside me like an autumn afternoon
Lay beside me till I shiver in that place inside the river
Where you hide the silver apples of the Moon

And it'll be you and me, honey, at the fall of Rome
And off in China at the building of the wall
And with an unknown soldier who was buried with the king
For running naked with a message down the hall
To tell them Pharaoh's drunken army wasn't even after Moses
They were looking for the answer everywhere
To the riddle of the sphinx; it's not where anybody thinks
It's in the petals on the flowers in your hair

So come with me and be my lover in the shadow of the furnace
Where another holy chamber used to be
And a chilly wind's still blowing there to keep the embers glowing
In the ashes of some other century

And it'll be you and me, honey, at the burning of St. Joan
Pulling meaning from a senseless sacrifice
Like a pair of lonely pilgrims on our way to find forgiveness
In a place between the fire and the ice
And the streets are all embarrassed at the sound of her confession
And there's incense in the smoke that fills the square
As the smell of holy flesh from Burgundy to Bangladesh
Recalls the petals on the flowers in your hair

Then come with me and be my love and we'll go round and round the riddle
Whether God should be a lady or a lord
Or if a fate not fully flowered was protecting Mr. Howard
Or rehearsing in the hands of Robert Ford

And it'll be you and me, honey there in Northfield, Minnesota
Where the living ended bloodied up in chains
And as we drag them from the streets we'll be ashamed to tell the dying
That they maybe should have stuck to robbing trains
And though love is like a river, you can never really break it
You can shape it on the anvil of despair
And is there still a trace of lead there on the fingers of the dead
That pull the petals from the flowers in your hair

Then come with me and be my love, oh give me hope and give me shelter
Lay me down between the lion and the lamb
See me safely through the slaughter, down beside the peaceful waters there
And love me till I don't know who I am

And it'll be you and me at the apocalypse, honey
As the world goes up in flames
And everybody acts surprised; they got that look there in their eyes
But there's a man been going round just taking names
And it looks like Rhett and Scarlet with the burning of Atlanta
In the background on some old-time movie screen

Or like Warren Beatty and Diane Keaton all wrapped up in each other's arms
While a movie orchestra plays "The Internationale" and in the background the
Bolsheviks are busy taking the city and they're so wrapped up in each other
They don't even seem to notice and you gotta wonder-if that's what he was
Really doing, how John Reed ever even wrote "Ten Days That Shook the World"

And it's a long way back to 1917

And there ain't no second coming, ain't no "comes the revolution"
Just a rainbow sign dissolving the air
Time was but time shall be no more, there's no more peace and no more war
And no more petals on the flowers in your hair

Until there's you and me, honey, at another new creation
Watching God set down the needle in the groove.

+++++

Melanie and Sherry-Lynn
(Al Grierson)

Now Melanie and Sherry-Lynn, they can fill most any days
With crocuses and daffodils and independent ways.
And if their dreams should disappear, like a hobo leaving town
They'll carry on until the rainbow comes around.

And the world goes round in circles
Like a crazy ferris wheel
And it's good to know there's a place to go
'Til the hurt begins to heal.
Where your troubles melt like starlight
On a chocolate ice-cream cone
And you're old enough to make it on your own.

The moon fell out of bed last night
And got caught between the leaves
Where the branches look like elbows
In a pair of silver sleeves.
And a whistle whispers lullaby
To all the cities and all the farms,
Like a mother train, with a baby in her arms.

And the world goes round in circles
Like a crazy ferris wheel
And it's good to know there's a place to go
'Til the hurt begins to heal.
Where your troubles melt like starlight
On a chocolate ice-cream cone
And you're old enough to make it on your own.

Now grownups, just like little folks,
They get bruises when they fall.
But little folks, they don't ever say
That it don't hurt at all.
And Melanie and Sherry-Lynn
Know its easier than pie;
But grownups hardly ever seem to cry.

And the world goes round in circles
Like a crazy ferris wheel
And it's good to know there's a place to go
'Til the hurt begins to heal.
Where your troubles melt like starlight
On a chocolate ice-cream cone
And you're old enough to make it on your own.

Now the whistle hangs its handkerchief
Like a brakeman on the fly
Where the stars are hung like lanterns
On the eyelids of the sky.
And the words come back in an echo
Of a smokey, sad, "So long" --
If we hold each other close, we'll all be strong.

And the world goes round in circles
Like a crazy ferris wheel
And it's good to know there's a place to go
'Til the hurt begins to heal.
Where your troubles melt like starlight
On a chocolate ice-cream cone
And you're old enough to make it on your own.

And the world goes round in circles
Like a crazy ferris wheel
And it's good to know there's a place to go
'Til the hurt begins to heal.
Where your troubles melt like starlight
On a chocolate ice-cream cone
And you're old enough to make it on your own.

+++++

Here is a review of Grierson's pair of releases.

Below is a recording of another of Grierson's best: